Spring’s Embrace

"In India, we keep our suitcases stacked on top of our cupboard" — This simple phrase holds within it a world of meaning, like a hidden treasure waiting to be unearthed. Just as the suitcases rest atop the cupboards, so do our memories and dreams perched in the recesses of our minds, waiting to be unpacked and explored. In this seemingly mundane act lies a deeper truth, it is not just physical storage but a layering of experiences, each suitcase holding fragments of journeys taken and paths yet to be trodden.

As the gentle embrace of spring envelopes us in its warmth. As nature awakens from its slumber and nature's breath whispers secrets of rebirth. I find myself on a journey akin to a lotus emerging from the murky depths of nostalgia and familial ties. Leaving behind the comforting embrace of home, I tread a path strewn with marigold petals of acceptance and thorns of isolation, each step echoing the bittersweet melody of shared experiences. As the days lengthen, the sky painted in hues reminiscent of saffron and turmeric and the air filled with the fragrance of new beginnings, I grapple with the cyclic patterns of life, seeking to carve out a space for my identity in a world far from the familiar walls of home. Memories dance like dappled sunlight through my mind, weaving a tapestry of emotions that tug at the heartstrings, reminding me of who I once was and who I am becoming.

Amidst suitcases packed with fragments of my past – echoes of laughter and whispers of love, a chance encounter with a weathered photo album stirs something deep within my soul. Fingers tracing sepia-toned memories, I am confronted with the stark reality of time passing, of moments slipping through my grasp like summer sand. In that moment, amidst the relics of yesteryears, a realization dawns – like a puzzle waiting to be solved, hinting at the complexity of human existence – how we carry our past on our shoulders while reaching for the unknown future. The juxtaposition of the transient suitcase and the steadfast cupboard reflects the duality of life, where impermanence meets stability in a delicate dance. I am not static but a fluid entity between past and present, between being and becoming.

Navigating the intricate layers of these boxed memories, once mundane and overlooked, now take on metaphors as rich as masala chai simmering on a monsoon day, shimmer with newfound significance as they reflect fragments of my essence. A cracked teacup becomes a symbol of resilience in the face of adversity, a frayed quilt a metaphor for the patchwork nature of identity. Each item tells a story, not just of function but of form, shaping and reshaping my sense of self, grounding me in a sea of change. The unsung heroes of my existence, every piece holds a story within its worn surface. From the clothes iron that smooths out creases like a gentle hand guiding me through life's wrinkles to the broom that sweeps away not just dirt but echoes of the past.

In my dance of domesticity this season, the clothes peg clasps and embraces like a lover's touch, while the serving tray carries not just meals but memories of shared laughter and tears. Each object, from the humble ladle to the elegant shell, whispers secrets of my daily rituals and routines, weaving a tapestry of life's moments in their silent presence. Here I am, a poet, crafting verses from the fabric of everyday life, trying to find beauty in the mundane, grace in the utilitarian, and poetry in the objects that quietly shape my world.

In this interaction with the hearth’s embrace lies an irony - that in letting go of what once was, one finds what truly is. Like scenes of a Bollywood film unfolding in slow motion, I am beginning to realize that acceptance is not about clinging to the past but embracing the present of what is and what can be. Through this lens tinted with turmeric and henna, I see myself not as a static figure but as a dynamic character in the grand scheme of life. Like a seed planted in fertile soil, they begin to bloom into their true self, rooted in the soil of family ties yet reaching towards the sunlit horizon of possibilities.

In this season of renewal and growth, I find peace in accepting the ebb and flow of life's currents, knowing that identity is not fixed but a kaleidoscope of experiences and connections. As spring unfurls its petals in vibrant hues, as do I unfurl my sense of self, embracing the beauty in being and becoming amidst the gentle whispers of nostalgia and memory. So next time you see suitcases perched high above cupboards in an Indian home, remember the saying that echoes through generations - a reminder to cherish the memories we carry, honor the dreams we hold dear, and find beauty in the art of balancing the weight of our past with the promise of tomorrow.

Devika Bahadur

Devika is a strong and resilient Art and Design PhD student, with an exemplary outlook and attitude towards her research in home - making and lived experiences of displaced people in India. Her understanding of “recreating a home away from home” has thematised and inspired her recent artworks as she has identified that the phenomenon of recreating home became apparent during the Covid-19 pandemic when people were often emotionally affected as they returned to remote workplaces, often away from their family homes. Devika has also established a robust methodological framework for her research that is guided by the phenomenological principles of conveying the lived experience of displaced people in India who seek to recreate homes away from home by introducing innovative methods for gathering data through drawing observations and soundscapes and intends to showcase a better understanding to offer a deep-dive into these lived experiences. The artwork “Ripples of what was- a self portrait” signifies the first lockdown of the aforementioned phenomenon.

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